I think it's already been decided that I'm a Laini Taylor fangirl. I can't help but fall for her gorgeously lush writing. But that said, there's always a slight worry with me when I pick up something different by an author - what works in longform may not work in short; her prose is gorgeous, but how well would it adapt to novella style?Clearly I needn't have worried. Taylor's writing is as gorgeous as ever, and she packs a lot of punch into stories that are short and sweet - perfectly-sized to devour in one sitting.Each of the stories has a distinct feel, which is especially nice in a set centering around the same thing (so it doesn't feel like three successive "I just read that"s), but they all flow into one another and work together as a whole. Through the three stories, Taylor gives different sides of the same coin, using the central theme of the power of a kiss to explore very different worlds and characters, and their reasons for - and reactions to - a kiss. My favorite would of the three would probably change on any given day, purely based on mood, because they are all fantastic and memorable. But I think there's something bright and vibrant - and deeply melancholic - about Goblin Fruit that instantly appeals to me. Plus: goblins. (And I've already said how I feel about them.)Her prose, as always, is evocative and gorgeous, creating elaborate, memorable worlds out of thin air. It is enhanced by the accompanying artwork, which is fricking fantastic. Each story is preceded by a series of illustrations that aren't simply scenes from the story, but rather scenes in addition to the story. Sort of artistic prologues to each of the three novellas; Jim Di Bartolo didn't just illustrate the story, he expanded it. The color palette is great, the whole thing feels very unified and cohesive, and the art, rather than being distracting or tacked-on, really adds a layer. It's an extra little something to pore over and savor, along with the gorgeous writing.So far, Laini is 3 for 3...(So the marriage proposal stands.)
