When I came across this one in my preparations for Fairy Tale Fortnight, I was immediately struck by the dark and direct tone of the cover, and took it as an indication of the tales found inside. In some ways this is what I got: the retellings are gritty and dark and very pared down, stripped of any residual fairy dust and ball gowns. Koertge plays on the original tales, in all their dark and twisted glory, but he also plays with our Disneyfied modern expectations.But even though Koertge did sort of give me what I was expecting, it somehow managed to not be quite what I wanted. The book is very brief, tackling 23 different tales in less than 100 pages, including illustrations and title pages for each story. This means each story averages about 2 pages of well-spaced text or free-verse, and this means Koertge only has the space of a few blinks of the eye to make an impression with each story - blink and it's over...I will say, I think Koertge certainly tried to create memorable, concrete images that would linger with the reader, plunging straight into the heart of each with a wry, jaded style. There's also a really good mix of well-known and little-known tales, and Koertge changes up the narration slightly in each tale. But even the narration at its most different (like Little Red's vapid prattling) still has a sameness to it. Some readers will appreciate this and feel the sardonic tone running throughout is the thread that holds it all together. Other readers - like myself - will feel that what the book really needs is a shake-up. The stories, different as they are originally, blend one into the next in Koertge's hands, and in the end, I would have been hard-pressed to tell you what happened in which, and how - if at all - the narrators differed.There just weren't any stand-outs. Maybe it's because of my admitted immersion in fairy tales - maybe others who pick this up on a passing fancy, who don't read and breathe fairy tales, will find this fresh - but I felt like I'd seen it all before. This isn't necessarily bad on its own, because these are retellings, after all (so of course I've seen it before), but if you're going to put forth these "little gem" retellings, every effort needs to be made to make each and every one memorable in its own way. And when they're verse on top of that! well, every little bit of space matters. No word should be wasted; they should all serve a purpose. I know I hold things like this to a high standard, but there should be something, some turn of phrase or image or pleasing sound to the language itself that makes each story stand on its own. Instead, these felt (oh god, you have no idea how much it pains me to write this) amateurish. I cringe to write that, I really do, but the stories felt like writing prompts or Creative Writing 101 exercises. And in the end, whether because of their style or brevity, I quickly forgot them.So maybe others won't feel this way, I don't know. Maybe people who don't eat, sleep and breathe fairy tales, and who haven't read a flipping shit-ton of short story retellings that take very similar tones and tacks to the ones in this book but do so better, will find this collection fresh and entertaining. At the very least, it's easily read in 1 sitting, so I would advise those who are considering picking it up to actually pick it up and flip through a few stories first - they're all pretty much the same, so if you like one, you'll probably like them all.[And if instead you're looking for short fairy tale retellings with a variety of stories, styles, and twists, I cannot recommend enough the fairy tale anthology series edited by Terri Windling and Ellen Datlow. Especially Silver Birch, Blood Moon, which I adore.]
